home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
Illusion - Is Seeing Really Believing?
/
Illusion - Is Seeing Really Believing (1998)(Marshall Media)[Mac-PC].iso
/
pc
/
illusion
/
rock_txt.cxt
/
00434_Text_re26t.txt
< prev
next >
Wrap
Text File
|
1997-02-04
|
2KB
|
84 lines
One explanation is based on
eye movements and the
resulting retinal image thereby
created. Suppose the eyes move
back and forth in synchrony
with the moving figure. The
result would be that an image of
the slit would be spread over
the retina. Because the figure
behind the slit is moving,
different portions of it would be
successively visible through
the slit. Therefore, an extended
image of the figure would be
spread over the retina. So the
explanation of the anomalous
effect is simple. As in normal
form perception, an extended
image is present on the retina.
True, it is not present
simultaneously, but, given the
known fact of visual
persistence after a stimulus is
no longer present, if the figure
(and eyes) move fast enough,
the extended image would be
equivalent to a simultaneous
extended image. The effect
would be rather like that seen
when a glowing cigarette is
moved rapidly in a dark room.
Its entire path is perceived
simultaneously. This then is
the peripheral theory.
There are many difficulties
with this view (although there
is also some evidence
supporting it). Why, for
example, should the eyes move
back and forth, unless possibly
because the figure is perceived
and the eyes seek to track some
region of it. In that case,
however, the eye movement is a
consequence, not a cause, of
the figure perception.
In any event, we have been
able to show in our laboratory
(as have others) that the
anorthoscopic effect occurs
without any eye movement.
Thus, the effect is indeed
anomalous, a succession of
differing contours all falling on
a narrow column of the retina
somehow leading to the
veridical perception of a
moving figure. A central theory
seems to be required here.
First, the perceptual system
must detect, or otherwise have
a preference to perceive, a
figure moving at right angles to
the slit rather than contour
elements moving up and down
the slit, as in the barber-pole
effect (Chapter 7). The figure
must possess certain
characteristics before
perception of an extended
figure will occur. A straight
line will not do. Once the
perceptual system interprets
the event appropriately, as an
occluded object moving at right
angles to the slit, it can
reconstruct the figure from the
set of successive directions
that constitute it. This is then
an example of a central theory.